Shakespearean Intersections : (Record no. 6722)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02120nam a2200181 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251112143941.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 241218b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 9781512825558 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 822.33 |
| Item number | ParS |
| 100 ## - MAIN ENTRY--AUTHOR NAME | |
| Personal name | Parker, Patricia |
| 245 ## - TITLE STATEMENT | |
| Title | Shakespearean Intersections : |
| Remainder of title | Language, Contexts, Critical Keywords / |
| Statement of responsibility, etc | Patricia Parker |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication | Philadelphia : |
| Name of publisher | University of Pennsylvania Press, |
| Year of publication | ©2018. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | ix, 409p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | What does the keyword "continence" in Love's Labor's Lost reveal about geopolitical boundaries and their breaching? What can we learn from the contemporary identification of the "quince" with weddings that is crucial for A Midsummer Night's Dream? How does the evocation of Spanish-occupied "Brabant" in Othello resonate with contemporary geopolitical contexts, wordplay on "Low Countries," and fears of sexual/territorial "occupation"? How does "supposes" connote not only sexual submission in The Taming of the Shrew but also the transvestite practice of boys playing women, and what does it mean for the dramatic recognition scene in Cymbeline?<br/><br/>With dazzling wit and erudition, Patricia Parker explores these and other critical keywords to reveal how they provide a lens for interpreting the language, contexts, and preoccupations of Shakespeare's plays. In doing so, she probes classical and historical sources, theatrical performance practices, geopolitical interrelations, hierarchies of race, gender, and class, and the multiple significances of "preposterousness," including reversals of high and low, male and female, Latinate and vulgar, "sinister" or backward writing, and latter ends both bodily and dramatic.<br/><br/>Providing innovative and interdisciplinary perspectives on Shakespeare, from early to late and across dramatic genres, Parker's deeply evocative readings demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean text, and suggest that the boundary between language and context is an incontinent divide. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | William Shakespeare |
| General subdivision | Literature |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Books |
| Withdrawn status | Lost status | Damaged status | Collection code | Home library | Current library | Shelving location | Date acquired | Source of acquisition | Purchase Price | Bill number | Full call number | Accession Number | Copy number | Print Price | Bill Date/Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Humanities | Indian Institute of Technology Tirupati | Indian Institute of Technology Tirupati | General Stacks | 11/11/2025 | Creative Books | 1838.42 | CB/25128 | 822.33 ParS (11755) | 11755 | Copy 01 | 2626.31 | 11/11/2025 | Books |