Dmytryk,	Edward  <br/><br/>
Cinema : 	  Concept & Practice	/ 
Edward Dmytryk 
 - New York,  Routledge :  ©2019. 
 - xxv, 156p. 
<br/><br/>Edward Dmytryk: A Short Biography<br/><br/>Introduction by Joe McElhaney<br/><br/><br/>The Collective Noun<br/><br/>The Indispensible Viewer<br/><br/>You’d Better Believe It<br/><br/>The Power of the Set-Up<br/><br/>Invisibility<br/><br/>Moving and Molding<br/><br/>Look at Him, Look at Her<br/><br/>The Art of Separation<br/><br/>Rules and Rule Breaking<br/><br/>The Modification of the Reality<br/><br/>Symbols, Metaphors, and Messages<br/><br/>Auteurs, Actors, and Metaphors<br/><br/>Time and Illusion<br/><br/>The Force of Filmic Reality<br/><br/>About a Forgotten Art<br/>Postscript<br/><br/>Filmography of Edward Dmytryk<br/><br/>Index 
<br/><br/> In this unique study of the process of filmmaking, director Edward Dmytryk blends abstract film theory and the practical realities of feature film production to provide an artful and elegant analysis of the conceptual foundations of filmmaking and film studies. Dmytryk explores the technical principles underlying the craft of filmmaking and how their use is effective in developing the viewer’s involvement in the cinematic narrative.<br/><br/>Originally published in 1988, this reissue of Dmytryk’s classic book includes a new critical introduction by Joe McElhaney. 
<br/><br/><label>ISBN: </label>9781138584273 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Motion Pictures--Arts & Recreation
<br/><br/><label>Dewey Class. No.: </label>791.4301  / DmyC