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The Cambridge Companion to Modernism / Ed. Michael Levenson

Contributor(s): Material type: TextTextPublication details: Cambridge : Cambridge University Press, c2011.Edition: 2nd EdDescription: xvii, 320pISBN:
  • 9780521281256
Subject(s): DDC classification:
  • 808.8011 LevC2
Summary: "This Companion has long been a standard introduction to the field. Now fully updated and enhanced with four new chapters, it addresses the key themes being researched, taught and studied in modernism today. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture"--
List(s) this item appears in: New Arrivals 01-15th November 2024, Vol. 05, Issue 19
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Item type Current library Collection Call number Status Barcode
Books Books Indian Institute of Technology Tirupati General Stacks Humanities 808.8011 LevC2 (Browse shelf(Opens below)) Available 10910

"This Companion has long been a standard introduction to the field. Now fully updated and enhanced with four new chapters, it addresses the key themes being researched, taught and studied in modernism today. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture"--

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