000			01626 a2200205 4500
005			20251104173640.0
008			241211b |||||||| |||| 00| 0 eng d
020			_a9781138584273
041			_aeng
082			_a791.4301 _bDmyC
100			_aDmytryk, Edward
245			_aCinema : _bConcept & Practice / _cEdward Dmytryk
260			_bRoutledge : _aNew York, _c©2019.
300			_axxv, 156p.
505			_aEdward Dmytryk: A Short Biography Introduction by Joe McElhaney The Collective Noun The Indispensible Viewer You’d Better Believe It The Power of the Set-Up Invisibility Moving and Molding Look at Him, Look at Her The Art of Separation Rules and Rule Breaking The Modification of the Reality Symbols, Metaphors, and Messages Auteurs, Actors, and Metaphors Time and Illusion The Force of Filmic Reality About a Forgotten Art Postscript Filmography of Edward Dmytryk Index
520			_aIn this unique study of the process of filmmaking, director Edward Dmytryk blends abstract film theory and the practical realities of feature film production to provide an artful and elegant analysis of the conceptual foundations of filmmaking and film studies. Dmytryk explores the technical principles underlying the craft of filmmaking and how their use is effective in developing the viewer’s involvement in the cinematic narrative. Originally published in 1988, this reissue of Dmytryk’s classic book includes a new critical introduction by Joe McElhaney.
650			_aMotion Pictures _xArts & Recreation
700			_aMcElhaney, Joe [In.]
942			_cBK
999			_c6698 _d6698